I am decadent and rotten (16th October 2006)

I am decadent and rotten. I can lust after the great sex dancers of the Flying Scotsman, as much as I lust after the great pianists, Irina Botan, Mihaela Ursuleasa, Valentina Igoshina, Nadia Giliova; the great violinists Tatiana Burman, Janine Jansen, the great opera singers Elena Prokina, Barbara Frittoli, Anna Caterina Antonacci, Stefania Bonfadelli. Is this bad of me? Is this wrong of me? “Saw the same two men on the Cally Road” This will be my Die Fackel. This will be my Simplicissimus. Devoted to the Flying Scotsman pub, the Wigmore Hall, English National Opera, the Black Hole of Calcutta pub, the Lemon Tree. After my great depression of these last few weeks, I see now that depression was the chrysalis, in which some metamorphosis was taking place, to give birth to this beautiful butterfly. Nana. It seems sad, but as sad experiences go it is one of the best. Men lusting after women is the engine of the world. 

Decorated all over by pictures of the Anna Friel Lulu. I live in a lush, overgrown, tropical paradise. I push through the great ferns and fronds, brushing the black train soot off the leaves, till I find the door of the Scotsman, and surreptitiously disappear inside, into the wonderland within that scarcely anyone passing by can imagine. How many times I myself passed by this door without it occurring to me what went on within. All those wasted years of my life! 

Some days I think I am going to go in that door and find just a normal pub, like a Wetherspoon’s or an All Bar One, and I will realise I dreamed the whole thing. It will be like the wardrobe that the children went through to enter their snowy Narnia, but then one day just becomes—a wardrobe. 

“Benjamin Franklin (Frank) Wedekind (1864-1918) German playwright, who began his career working in business and in a circus. He became an actor and singer, and a playwright. The plays, Erdgeist (Earth Spirit), 1893 and Die Busche der Pandora (Pandora’s Box), 1904 depict a society riven by the demands of lust and greed reinforcing his main thesis that the repression of sexuality results in perversion and tragedy. The two plays were later staged together as the Lulu plays.” “All Wedekind’s plays, with their sex-ridden men, women and children, their gentlemen crooks, and their grotesque yet vivid cranks, typify the feverish spirit of the years before 1914. Perhaps less shocking now to our society they remain valid statements of repressed and thwarted sexuality.” Information from The Cambridge Guide to World Theatre and The Oxford Companion to the Theatre. Repressed, and thwarted sexuality! My constant and dearest companions and bedfellows! You mean sexuality comes in any other kinds? Thus due to my bizarre and troubling psychopathology, my mummy never loved me, I was dropped on my head as a baby, or something, I am a Lost Boy, repressed and thwarted, my Eros bends instead, during interludes, to the butterflies and the nightingales of the Scotsman, my Midnight Bell. But increasingly I find the interludes are becoming longer and more enjoyable, and I do not want the real Acts to begin again. The interludes between the real thing are becoming more real to me than the real thing, and the real thing seems not worth a light. My life becomes one long dark pleasurable interlude between womb and tomb. It used to be my cure for a broken heart. Now it has become where my heart most wants to be. I cannot imagine loving any girl who was not a Salome dancing for Herod, or a Mata Hari. Wouldn’t it be great to take a nightime picture of the Bell & use it as my cover page for The Serpent’s Egg! I want my Flying Scotsman website to be suffused with Anna Friel’s Lulu, and with Salome, and with Nana, and with heady steamy sensuousness. Cloying, overpowering, romantic nihilistic sweetness. Tension, Eroticism, Repulsive Pathology. “The most over-perfumed drama in the language” “‘Where is she who gave herself unto the Captains of Assyria, who have baldricks on their loins, and tiaras of divers colours on their heads?” I want it to be filled with cut and paste things from all around me. The fuggy atmosphere. As Black Narcissus helped me over the madness of losing Pooky, maybe the new Serpent’s Egg may help me over the madness of losing —–. 

You’ve got to hide your love away; though it is the most natural thing in the world to want to sing it from the rooftops. Each man kills the thing he loves. They are all Salomes, dancing for King Herod. 

I have always centred my life around the great train stations: Munich Hauptbahnhof, Wien Westbahnhof, Berlin Zoo, Brussels Gare du Midi, in London, Charing Cross and King's Cross. I am so pleased Eurostar is now coming to King’s Cross. Will the Flying Scotsman survive? They are the black smokers on the ocean floor around which life congregates.