You can stick your Stringfellows & your Sophisticats—the sexiest strippers in London are the Scotsman girls. Of course, it goes without saying London’s and the British Empire’s great gift to the world is the strip pub, and out of all them—White Horse, Nag’s Head, Old Axe, Browns, Griffin, Queen Anne—the Flying Scot is far & away the best. The “Menu of the Day” list of girls is disturbingly reminiscent of Jack the Ripper’s victims’ board at the Ten Bells. In the space of twenty yards King’s Cross used to boast Housmans bookshop, The Flying Scotsman, and the gloriously sleazy Scala Cinema. The Scala Cinema alas is no more, but thankfully these other two great treasures of the British Empire remain. Tenseness, eroticism and repulsive pathology. Fine for a Jimmy Riddle but those needing a Tom Tit should look elsewhere.
Watching the Electro video, then Eric Thoneick Love Sensation and Aaron Smith Dancin, I got an erection, and it reminded me again it is really about time I went back to cinema. *********The black depression of recent weeks seems to have receded, to be replaced by such a soft, warm, deep longing and yearning. I am almost molten from wanting her. Also I feel a bit freer and happier. The darkness has receded a little, for a while. “ As Nietzsche put it, while recovering from his intoxication with Wagner: ‘What can be done well today, what can be masterly, is only what is small.'” Talk about the girls being great actresses. Like Sarah Bernhardt, Mrs P Campbell. When I see them on stage I am seeing Anita Berber, Mata Hari, Josephine Baker. Every dance is a mini-drama. Tense, erotic, pathological. I want to write a magazine reviewing their performances like an opera magazine would Maria Callas at Covent Garden. Yet it seems more personal, and to talk about them by name seems impertinent, and to betray a secret. Write about Karl Kraus a lot and his attitude to the sexuality of women. Goncourt. One skirts around one’s feelings. One beats around the bush. One does not name one’s fears or one’s loves. I want curling flowers down the side of my page. THE SERPENT’S EGG will be my life’s labour, my Samuel Pepys’s Diary. Talk about my love of 20,000 Streets Under the Sky. Talk about my scopophilia.
THE SERPENT’S EGG
A Journal about The Flying Scotsman pub, and Other Things
A general introduction then underneath it in boxes to left and right: ANITA BERBER, JOSEPHINE BAKER, MATA HARI, the Showgirls Guardian article. A site dedicated to the tense erotic pathology of watching sex dancers. SALOME. Anna Friel’s LULU. How often I used to go to King’s Cross for Housman’s bookshop, for their science fiction and their Karl Marx and their Situationist and Anarchist literature, and passed by that old ramshackle pub over the road that looked like it had closed a long time ago without barely giving it a second look. How many hours of my misspent life I spent in the darkness of the Scala Cinema, watching Godard triple bills, Russ Meyer triple bills, Bertolucci triple bills, without realising what delights were in the pub just next door. Can I even imagine a time when I didn’t drink? After loving the Otto Dix picture of Anita Berber for so long I went to see the Berber film Anita: Dances of Vice there, and though there were only about ten people in the vast 2,000 seat auditorium, some man who looked like Arthur Miller came and sat right down next to me in the back row and proceeded to slowly slowly creepy creepy spider creep his hand towards my arm, trying to touch me. At the moment his finger touched the back of my hand I asked him to leave me alone; of course I did. You doubt me? He soon went down the front of the cinema & no doubt tried his luck with some other pretty young boy, before, bizarrely, about 40 minutes later coming & sitting back by me.
