I am decadent and rotten (16th October 2006)

I am decadent and rotten. I can lust after the great sex dancers of the Flying Scotsman, as much as I lust after the great pianists, Irina Botan, Mihaela Ursuleasa, Valentina Igoshina, Nadia Giliova; the great violinists Tatiana Burman, Janine Jansen, the great opera singers Elena Prokina, Barbara Frittoli, Anna Caterina Antonacci, Stefania Bonfadelli. Is this bad of me? Is this wrong of me? “Saw the same two men on the Cally Road” This will be my Die Fackel. This will be my Simplicissimus. Devoted to the Flying Scotsman pub, the Wigmore Hall, English National Opera, the Black Hole of Calcutta pub, the Lemon Tree. After my great depression of these last few weeks, I see now that depression was the chrysalis, in which some metamorphosis was taking place, to give birth to this beautiful butterfly. Nana. It seems sad, but as sad experiences go it is one of the best. Men lusting after women is the engine of the world. 

Decorated all over by pictures of the Anna Friel Lulu. I live in a lush, overgrown, tropical paradise. I push through the great ferns and fronds, brushing the black train soot off the leaves, till I find the door of the Scotsman, and surreptitiously disappear inside, into the wonderland within that scarcely anyone passing by can imagine. How many times I myself passed by this door without it occurring to me what went on within. All those wasted years of my life! 

Some days I think I am going to go in that door and find just a normal pub, like a Wetherspoon’s or an All Bar One, and I will realise I dreamed the whole thing. It will be like the wardrobe that the children went through to enter their snowy Narnia, but then one day just becomes—a wardrobe. 

“Benjamin Franklin (Frank) Wedekind (1864-1918) German playwright, who began his career working in business and in a circus. He became an actor and singer, and a playwright. The plays, Erdgeist (Earth Spirit), 1893 and Die Busche der Pandora (Pandora’s Box), 1904 depict a society riven by the demands of lust and greed reinforcing his main thesis that the repression of sexuality results in perversion and tragedy. The two plays were later staged together as the Lulu plays.” “All Wedekind’s plays, with their sex-ridden men, women and children, their gentlemen crooks, and their grotesque yet vivid cranks, typify the feverish spirit of the years before 1914. Perhaps less shocking now to our society they remain valid statements of repressed and thwarted sexuality.” Information from The Cambridge Guide to World Theatre and The Oxford Companion to the Theatre. Repressed, and thwarted sexuality! My constant and dearest companions and bedfellows! You mean sexuality comes in any other kinds? Thus due to my bizarre and troubling psychopathology, my mummy never loved me, I was dropped on my head as a baby, or something, I am a Lost Boy, repressed and thwarted, my Eros bends instead, during interludes, to the butterflies and the nightingales of the Scotsman, my Midnight Bell. But increasingly I find the interludes are becoming longer and more enjoyable, and I do not want the real Acts to begin again. The interludes between the real thing are becoming more real to me than the real thing, and the real thing seems not worth a light. My life becomes one long dark pleasurable interlude between womb and tomb. It used to be my cure for a broken heart. Now it has become where my heart most wants to be. I cannot imagine loving any girl who was not a Salome dancing for Herod, or a Mata Hari. Wouldn’t it be great to take a nightime picture of the Bell & use it as my cover page for The Serpent’s Egg! I want my Flying Scotsman website to be suffused with Anna Friel’s Lulu, and with Salome, and with Nana, and with heady steamy sensuousness. Cloying, overpowering, romantic nihilistic sweetness. Tension, Eroticism, Repulsive Pathology. “The most over-perfumed drama in the language” “‘Where is she who gave herself unto the Captains of Assyria, who have baldricks on their loins, and tiaras of divers colours on their heads?” I want it to be filled with cut and paste things from all around me. The fuggy atmosphere. As Black Narcissus helped me over the madness of losing Pooky, maybe the new Serpent’s Egg may help me over the madness of losing —–. 

You’ve got to hide your love away; though it is the most natural thing in the world to want to sing it from the rooftops. Each man kills the thing he loves. They are all Salomes, dancing for King Herod. 

I have always centred my life around the great train stations: Munich Hauptbahnhof, Wien Westbahnhof, Berlin Zoo, Brussels Gare du Midi, in London, Charing Cross and King's Cross. I am so pleased Eurostar is now coming to King’s Cross. Will the Flying Scotsman survive? They are the black smokers on the ocean floor around which life congregates.

You can stick your Stringfellows & your Sophisticats—the sexiest strippers in London are the Scotsman girls (15th October 2006)

You can stick your Stringfellows & your Sophisticats—the sexiest strippers in London are the Scotsman girls. Of course, it goes without saying London’s and the British Empire’s great gift to the world is the strip pub, and out of all them—White Horse, Nag’s Head, Old Axe, Browns, Griffin, Queen Anne—the Flying Scot is far & away the best. The “Menu of the Day” list of girls is disturbingly reminiscent of Jack the Ripper’s victims’ board at the Ten Bells. In the space of twenty yards King’s Cross used to boast Housmans bookshop, The Flying Scotsman, and the gloriously sleazy Scala Cinema. The Scala Cinema alas is no more, but thankfully these other two great treasures of the British Empire remain. Tenseness, eroticism and repulsive pathology. Fine for a Jimmy Riddle but those needing a Tom Tit should look elsewhere. 

Watching the Electro video, then Eric Thoneick Love Sensation and Aaron Smith Dancin, I got an erection, and it reminded me again it is really about time I went back to cinema. *********The black depression of recent weeks seems to have receded, to be replaced by such a soft, warm, deep longing and yearning. I am almost molten from wanting her. Also I feel a bit freer and happier. The darkness has receded a little, for a while. “ As Nietzsche put it, while recovering from his intoxication with Wagner: ‘What can be done well today, what can be masterly, is only what is small.'” Talk about the girls being great actresses. Like Sarah Bernhardt, Mrs P Campbell. When I see them on stage I am seeing Anita Berber, Mata Hari, Josephine Baker. Every dance is a mini-drama. Tense, erotic, pathological. I want to write a magazine reviewing their performances like an opera magazine would Maria Callas at Covent Garden. Yet it seems more personal, and to talk about them by name seems impertinent, and to betray a secret. Write about Karl Kraus a lot and his attitude to the sexuality of women. Goncourt. One skirts around one’s feelings. One beats around the bush. One does not name one’s fears or one’s loves. I want curling flowers down the side of my page. THE SERPENT’S EGG will be my life’s labour, my Samuel Pepys’s Diary. Talk about my love of 20,000 Streets Under the Sky. Talk about my scopophilia. 

THE SERPENT’S EGG 
A Journal about The Flying Scotsman pub, and Other Things 

A general introduction then underneath it in boxes to left and right: ANITA BERBER, JOSEPHINE BAKER, MATA HARI, the Showgirls Guardian article. A site dedicated to the tense erotic pathology of watching sex dancers. SALOME. Anna Friel’s LULU. How often I used to go to King’s Cross for Housman’s bookshop, for their science fiction and their Karl Marx and their Situationist and Anarchist literature, and passed by that old ramshackle pub over the road that looked like it had closed a long time ago without barely giving it a second look. How many hours of my misspent life I spent in the darkness of the Scala Cinema, watching Godard triple bills, Russ Meyer triple bills, Bertolucci triple bills, without realising what delights were in the pub just next door. Can I even imagine a time when I didn’t drink? After loving the Otto Dix picture of Anita Berber for so long I went to see the Berber film Anita: Dances of Vice there, and though there were only about ten people in the vast 2,000 seat auditorium, some man who looked like Arthur Miller came and sat right down next to me in the back row and proceeded to slowly slowly creepy creepy spider creep his hand towards my arm, trying to touch me. At the moment his finger touched the back of my hand I asked him to leave me alone; of course I did. You doubt me? He soon went down the front of the cinema & no doubt tried his luck with some other pretty young boy, before, bizarrely, about 40 minutes later coming & sitting back by me.

OK I did great to “save” £900 in ten weeks but that is over now (13th October 2006)

OK I did great to “save” £900 in ten weeks, but that is over now. I am going to go wild again now. I cannot waste these gorgeous dark witching months. Forget Berlin. There is so much to taste here in London. That break has renewed my taste for it. “There’s really no way to reach me.” What I want to achieve in my books is simplicity. Strippers remind me of Anita Berber, Josephine Baker, Mata Hari. They are Salome dancing for dirty old man Herod so she can get to kiss the lips of John the Baptist.